double 12inch featuring 3 brand new house tracks from chicagos own boogie nite on one 12inch: make me hot (sexy one), feel me (boogie nites un-plugged mix) and take you higher. the second 12inch has remixes of make me hot by two chicago house legends: glenn underground and rahaan.

we feel very honored to present our new baby rue de plaisance-re issue to the world. we are starting this project to re-release some of our favorite tracks from back in the days, as we believe they need to be made known to the new and upcoming generation. these are our rootz. for our first opus we have invited from the uk the infamous duo >idjut boys< who surely have much to offer with over 20 years of releasing contemporary dance music all over the globe. for our first issue we chose their track >not reggae< supported by forward thinking mixes by varoslav and david k who pushed those classics to another level. we hope, all of you, will enjoy this new project as much as we do. quality timeless music on vinyl...

this is the start of our path in the darkness, in search of the brightest light. rectoversion its not just a label but a life concept based on the notion of dualism thats the reason why we have an original track for side with their remixes, a leitmotiv useful to show the complete face of each of them. so you can feel the black and the white of these two tracks by alpha code & future 16, with reworkings by tadeo and area fortyone.

return of headphoniq! the next edition in the legendary series. a clear understanding has a very 1990s vibe. next is dubrazils red vinyl that was originally an untitled track with only 223 pressed. the midnight in tokyo unreleased project from japan. can you feel the beat is a classic.

hot fire! large music strikes again with large wax 5 highlighting four terrific tracks all drenched in groove and soul. uk based artist leigh d oliver gets things started with a sparkling remix from max graef and is followed up by roland nights with the bluesy feel of the shake. side b features a heavy peak time workout from steve mill and closes with pure melodic deepness from irelands deep future.

here we are, presenting mauro picottos and ricardo ferris release >the riff<.
cool but lush house beats with the right amount of techno added, merging with hypnotic synths and monster basslines that force you to dance! get crazy, get lost, forget where you are, shake your head and feel the vibe!

great follow up of dolly dubs 01! once again staffan lindberg is delivering. his nice & smooth the orbit is a great & optimistic club track that will have the sun shine on any floor, with the mighty trevino remix adding a slightly rough edge to the original version. but dont let the easy-going fool you! the b-side dives in deeper territories with y2k that reminds a bit of early kevin saunderson works, and feel like dancing, which is a proper sexy house burner for the morning hours. wonderful & diverse release.

unknown to the unknown legend palace, showcases his knack for raw houz muzak over this 12 of raw heats.. this shit burns!

nach der veröffentlichung des neuen albums >tomorrows harvest<, das von einer aufsehenerregenden internetmarketingstrategie begleitet wurde und boards of canada weltweit erstmals in die charts katapultierte, erscheint nun - aufgrund starker nachfrage - eine reissue-reihe mit all ihren bisherigen vinylformaten. jedes neue vinyl enthält diesmal zusätzlich einen downloadcode sowie einen boc sticker aus der jeweiligen zeitphase. zuerst erscheinen die alben >music has the right to children< (1998), >geogaddi< (2002) und >the campfire headphase< (2006), im zweiten schritt das minialbum >twoism< (1995) sowie die beiden eps >in a beautiful place out in the country< (2000) und >trans canada highway< (2006)

the record is dedicated to quality house music, touching the deepest jazz realms with the song *spiritually captured* by glenn underground and on the flipside the wonderful *how i feel* by isoul8 that features the genius kaidi tatham on keyboards, licensed from the neroli records catalogue and remastered for the event. also on the b side a wild collaboration from isoul8 & ricardo miranda, a real futuristic track for the headz!

we are really happy to finally announce the release of the 7th record as the next in the series of full eps. dustins debut record comes as a result of nearly two years work between artist and label to get the perfect tracks for this full release and we feel it has been well worth the wait.
each record comes with an exclusive 24 inch square poster of the artwork for the release, designed by hani abusamra, which forms the second in the series of collectable nixwax posters that now accompany each nixwax ep.
the lead track was first tested out in the boiler room by nixwax boss, rob amboule and received a fantastic reception, with online fans and audience alike lusting after that growling bassline.
full support comes from some of the leading names in deep underground house at the moment, including rossko fuse, casino times and many more, as well as all the nixwax artists and ojsmooths mum. we have every confidence in this record and look forward to seeing it get the reception it deserves.

sc001, titled *streets are like*, is the first installment on new born label scandalo music, launched as a platform to bring brazils very own musical footprint mixed with collaborations with international artists and pioneer producers. the limited edition 12 inch offers up an original nu-disco gem reminiscent of early lcd soundsytem along with a collection of outstanding remixes showcasing the originals funky bassline, captivating vocal and live disco feel that so many tracks fail to achieve. prepare to be served warm crunching guitars, floating soundscapes and latino percussion blended, filtered and delivered sunny side up.

what we feel for max graef might just be our biggest man-crush ever. we came across his music through his own label box aus holz and were just as stoked as he is to have him as our second release.

kuru, the alter ego of new yorks dj spider is back with this haunting slab of cult techno! fierce rhythms layered with filthy samples & analog synthesis that will make you feel sick. perfect for any dance floor

last known trajectory proudly presents inkamera, the solo project of the multi-talented victoria lukas, who of course you may well be familiar with from her previous work as zerkalo, performing alongside the legendary gerald donald. here, the first inkamera release demonstrates victoria’s clear understanding of what constitutes a solid and balanced musical project – ‘superpartners (photon photino) ‘ and ‘&#1089,,,&#1084,,,&#1077,,,&#1088,,,&#1090,,,&#1100,,, &#1085,,,&#1077,,, &#1089,,,&#1091,,,&#1097,,,&#1077,,,&#1089,,,&#1090,,,&#1074,,,&#1091,,,&#1077,,,&#1090,,, (death doesn’t exist) ‘ are both pacey, electro drivers with a distinct european feel, the former being quite upbeat, while the latter rendering a slightly darker more sinister air. ‘i can speak’ provides a volatile contrast with its crazy, freestyle electro beats and rhythms, whilst both ‘human terms’ and ‘potentia’ showcase victoria’s quite distinctive, totally unmistakable, seductively hypnotic vocal to a backdrop of gorgeous electronics. a superb solo debut from lukas – let us hope that there are many more to follow.

after appearances on idle hands and brstl, rhythmic theory returns to their own imprint to further explore gritty textures and mysterious moods within house and techno frameworks. where theory001 featured the somewhat soothing, melancholic tones of >echo vibe< and >omega syndrome<, this second installment comes caked in sonic muck and abrasive attitude.its not all dark and foreboding, as the graceful filter-swept key refrain of >siren song< will attest, but it takes a barrage of rasping hats and bludgeoning kicks and toms before such niceties can be foisted upon our ears. while there is an optimistic lilt to the particular notes the melody calls out, in the midst of such machismo percussion it cant help but feel emotionally ambiguous, continuing the tone set out in the first rhythmic theory releases.there is no such confusion over b side cut >genesis< from the apocalyptic boom of the opening kick to the rapid gun fire of the snare this is a track that wants to inflict damage. at the midway point the searing beat melts away as a wash of delay-riddled speech knocks you from your centre of gravity, only for the drums to come whipping back in to pick up the slack. even the sole synth note that rears its head is devoid of compassion, pulsing a creepy, robotic intonation through the clamour.

limited edition of 1000 numbered copies on high quality virgin vinyl, download code included.
brian leeds produces electronic music under the name huerco s. his debut album for software is titled colonial patterns. on colonial patterns, leeds treats his kansas city region as a universe worthy of its own electronic music. to that end, leeds deconstructs midwestern techno and house tropes. the pieces are corrugated, rough, and decompositional. working cheaply, leeds conscientiously uses low-end software, synths and cassettes so as to subvert the gloss of so much urban dance music, giving tracks an impressionistic, emotive feel. the result is uniquely midwestern: there is an expansiveness to each piece that suits the open space and the storied past of its inhabitants.

die new yorker band midnight magic klingt wie das von donna summer und george clinton gezeugte uneheliche kind, von dem niemand wissen soll. die combo um die sängerin tiffany roth kredenzt ein orgiastisches fest aus funk, disco und soul. schon 2010 hat midnight magic auf permanent vacation mit der single beam me up fuer furore gesorgt, ein jahr spaeter folgte hold the line. mit midnight creepers erscheint nun im lp-format eine compilation ihrer besten tracks.

rondenion is a japanese dj and producer. his link with music started working as a recording artist in the late 90s. under the name hirofumi goto, his released his debut ep *ameria*. it drew attention for its dark atmosphere, and was played by international figures of the electronic scene such as derrick may. he changed his name to rondenion as a tribute to chicago and detroit. not so long later, he released his *love bound ep* on the respected rush hour records. it reached the top sales chart position on the rushhour store, and rondenion began to make himself known within the european scene. in 2012, he co-founded ragrange symphony, alongside no milk and kez ym. kicks kicks is a young graphist, dj and producer based in france. his passion for skateboarding lead him to discover all the 90s deep house/garage scene such as kerry chandler through skateboard videotapes. his debut set happened in bordeaux a few years ago alongside nicholas & larcier. he is an analog freak and started producing his first tracks in 2013 which will finally be out on cracki records.

growing up in the deep south of germany with multi ethnic friends and big interest in many different music genres of the world, borrowed identity built his wide knowledge in music. this variety in his musical taste is also the reason why he is working under different aliases producing a big variety of sound from ambient to house to experimental music and everything inbetween.

liverpool based andy ash hits the saft imprint with two excellent analog house jams. the overall sound andy comes up with, hints to the early machine driven house sounds from the late 80s on the a1 in love whilst transitioning into the more jammy house sound andy has been purveying on his string of latest releases on his a2 jam called black stem.on the b side saft regular kastil provides andy ashs >in love< with a heavy machine rework. kastil proves he has been crafting and perfecting his production skills with some new hardware gear. this remix hold the intense feel of a 4am sweaty club session. all and all saft proudly present the 5th installment in their series of pure and all round house releases.

stenciled sleeves....limited edition..... heat!

endless welcomes paolo tocci and russian techno dj andrey pushkarev, who is very popular with his audiences for his deep sound and signature sensitive melodic techno, in addition to his use of vinyl records from his extensive collection which he has been expanding for over 10 years. his recent ep on circus company captured the attention of many and in particular of luca bacchetti who then included him on the tracklisting of the recent arkitekt 02. paolo tocci, talented italian dj from catanzaro, has been responsible for many parties in calabria, one of the most beautiful regions in the south of italy. now living in switzerland, he produces electronic music surrounded by the natural beauty and suggestive landscapes of canton ticino. endless 004 has a romantic feel to it and features these 2 deep house gems to celebrate the end of summer.

r-zone is a new label launched by global darkness. who is involved isn t exactly a secret, those who feel so inclined can piece the information together quite easily. it is however irrelevant to the concept of r-zone, which would like to shift the focus away from namedropping and perception based on hype around individual artists and bring it back where it belongs, in the lap of the music.

modern hypnotic techhouse groover

small pyramids is las zach hunsaker. heavily influenced by nu disco, early house music and edit culture, zach began cutting up old disco, funk and r&b tracks for his dj gigs in los angeles as small pyramids. making the move from producing edits to sampling for original tracks was a natural progression and crucial step to developing a unique style. as a result of remixing acts like nightwaves and arohan,small pyramids gained blog exposure on sites like disco workout, tracasseur, in the deep end and disco delicious. the first small pyramids ep, another way to feel was released late in 2010 to great critical acclaim and shortly thereafter zach signed to glasgow underground.

debut release on mira from the kvbs new project
full colour, stickered picture sleeve designed by silent servant aka juan mendez
this release again incorporates the bands nostalgic, shimmering guitar sound but also treads a darker more dubbed feel across its 3 unnerving tracks.

nyc denizen arrives fresh off a stunning, singular album for l.i.e.s to deliver 3 tracks showcasing his swift growth as a producer. widescreen techno, stern, cracking percussion & feel good house all figure in.

limited white colored vinyl! amazing deep n housey cuts! autumn breeze release from the japanese area!

we feel proud as we welcome back on material vinyl edition on this special limited copy the best selling tracks from materialism.materialism meets material then when some high belters that goes straight in your vinyl bag. enjoy

statt einer kollektion ungleicher kuenstler erscheint after dark 2 wie eine produktion >johnny jewel & friends present<..die den idib sound auf heutigen stand bringt, ohne dabei den energischen neon-charme einzubuessen, der weiterhin ein immens attraktiver modus dieses labels bleibt

bosq y orquesta de madera is the much anticipated full length debut album by bosq from whiskey barons. on the heels of his three well-received 12inch singles, the album delivers on the promise of a well-rounded and killer collection of afro, house, latin, soul and disco tracks with the intention of keeping bodies moving on the dancefloor.

limited edition for record store day 2013 - coloured 180 gram double vinyl release of the soundtrack to the forthcoming big star documentary. all tracks are previously unissued versions of classic big star songs.

hey yeah !! can u feeeeel it??? todd terrys killer tune in a fresh 2013 re-edit !!! flipside with >its gonna< in two versions

napolicenco artist tuccillo return to the electronic sheepfold in order to pronounce with authority in house music area. take the classic house of chicago, turn into contemporary, provide it of balearic freshness and make it a powerfull club sound. all this is the greatest passion of the italian music producer tuccillo who feel like at home in ibiza between sheperds. the first surprise is resolution which begin 4x4 beat. suddenly it turn in unusual percussion which provide playfull spirit to the track. the tracks deep house progress, with some ad-hoc vocals and submerged melodies wich rise the track in a common and delicious place. the track sounds like broke by these brittle rhythm, constant and rebel which provide it an special and different sound.

some two years in the making, glide time is the brand new studio album from is it balearic..? recordings head boys coyote. eight tracks deep, this album sees ampo and timm sure further perfect their approach to modern balearica, ambling from moments of incandescent calm such as the expansive opening track *california jam* and *feel beautiful* to euphoria inducing cuts like the chuggy *swimming* and acid tinged *break on through*. look out for the guitar playing skills of is it balearic...? stalwart max essa too. it is indeed time to glide. switch on and feel the new balearic beat at its best.

with our 9th release, the rasundas have graced lonesome hero with a double-sided ep of hypnotic, summer goodness. a proper, classic chugger, the a-sides feel the music fashions itself quite the speaker-warmer - an ideal weapon for crushing this summers lineup of open-air festivals. on the flip, wake the neighborhood fuses timeless funk bass with mesmeric string tones and jacking percussion to create a track reminiscent of a dj culture before the cult of personality.

another superbly crafted ep released on the organic-music imprint features tom ellis three original tracks and a brilliant remix by leif. neither of the producers featuring on the release need any introductions as they are very well known names around the underground dance music scene for quite some time now. the ep has a very eclectic feel to it that can satisfy todays very demanding musical palates. deep. funky, bass driven, cross-over between live and electronic soundscapes, one can hear all of that in this little gem of a record.

special sales pack for all you deep circus lovers out there - contains 3 classic releases:
dcr004: sweet n candy - feel something, say something
dcr005.1: various - one year deep circus
dcr008: benny grauer - driver ep

kelpe makes his first outing on don’t be afraid as part of their coveted dba dubs series. monte verità sees the london based beat veteran at his housiest (sic) yet. the track sports a low slung four to the floor and a deadly analogue funk bassline. kevin reynolds improvises on the original with a more upbeat outsider house groove and an acid line guaranteed to bring the dancefloor to its knees. since coming to the attention of dc recordings in early 2003 kelpe has released three albums, the latest of which *the golden eagle* dropped this year to critical acclaim. detroits kevin reynolds has consistently turned heads with his unique take on the modern house sound. as well as releases on his own nsyde recordings he has appeared on cult us imprints like todchai and love what you feel.

it is hot in berlin and we are ready to release our annual summer compilation deep love 3. stomping house music as we love it

phil weeks ~ crate diggin ~ project has been bubbling under for some time while the french dj/producer carefully selected 30 of the tracks which have been most influential to him over the past 15-20 years. indeed many of the tracks - from artists including dj rasoul, dj sneak, brett johnson, inland knights, rick wade, mood ii swing and lawnchair generals - still feature as heavily in phils dj sets today as they did when originally released. released over three vinyl samplers, * crate diggin* is a window into the musical dna of one of the most respected and prolific underground house artists of this century. as well as being a highly personal project to phil, it offers a rare chance to finally pick up hard-to-find and sought after gems that were only previously released on vinyl.

untolds pennyroyal imprint drops its fourth release in august, a four track ep from techno heavyweights ben sims and paul macs fokus group project entitled fokus group ep. started by the hemlock recordings man earlier in 2013, pennyroyal has so far released ballsy, uncompromising modern techno by j tijn and boner m and that musical remit continues with sims and macs hardcore fuelled, selftitled assault. nut nut, mucky crack funk, 93.2 and rave x3 = murder and the titles and they pretty much speak for themselves – there is a reckless abandon across all four cuts that musically gives off a distinct old school feel feel without getting bogged down in self conscious retro aesthetics.

dixon cites tim hecker, autechre and wolfgang voigt as influences and this ep is as equally diverse. we begin with edge of the universe , an enigmatic techno experiment. tight hats and snare work give it an almost jackin feel whilst subtle bumping subs and cryptic vocal chops decorate throughout.

daren agers debut vinyl release! daren is a very well known and respected analog synth/modul teacher on the internet. having his own youtube channel with 2.5 million clicks we thought it was time to introduce this genius to the vinyl lovers as well! darens main influences come from the likes of drexciya, model 500, derrick may and carl craig. when listening to summer in detroit you can feel the influences from these heroes. there is a warm and beautiful detroit flavor all the way thru the track. on the b-side you will find halcyon days which is a acid-house track that makes you want to jump into the time capsule and travel straight back to the warehouse in chicago or the hacienda in manchester

just over 6 months after his debut ep, house grand crus head honcho nathaniel is back with a completely new release. the name of the ep is tuntea, which is finnish for feel, and that is what this ep is all about. two originals in nathaniels signature dramatic deep house style

midnight moves. thats what comes to mind when you listen to cale parks s n1, preferably at an hour long after dusk has settled around you in some beautiful, insomniac city. parks finds – or more aptly, seeks – beauty and grace in ambience and shadows. n1 starts as pure atmosphere – it feels at first like a sort of lovely sonic nothingness slowly taking form – before growing into the darkly lit, gorgeous moodscape it later becomes. a sensual bassline, a pulsing downbeat, a cinematic piano, strains of italo disco, and the sensation of breezing down a lightless road. if you could make sensuous shapes of the night – imagine kneading the dark itself – it might, at the very best, feel like this. the task of remixing parks s original is taken up by french duo paradis, who can otherwise be heard making music on tim sweeney s beats in space label. the paris-based producers shine a brightening light on parks s dusky creation, quickening its pulse and trading in its darkwave undercurrents for enlivening techno and house. theres an element of floating here – a dreaminess in the rhythms, an astral aspect to the keys beaming through the beats. and with the addition of vocals, sung in french – a pop finishing touch on a song that already feels like an earworm – the transformation is complete. this excellent introduction to cale parkss music is also his debut release on the hakt label.

following the success of the consumer ep by fellow label owner james johnston comes the praise ep by alex agore, and its a true return to form for him on no matter what. the record opens with the title track >praise< - an inspired tribute to gospel music, keeping all the soul but reimagining it into something more infectious. uplifting keys combine with vocals that will have you trying your best to sing-a-long, over a bass groove that holds it all together. >falling< is a slower affair, with its dream-like chords, airy synthwork, cowbell hits and seamless hats. a perfect track to start a night or to end one. the b-side completes the package with two undeniable house jams. you will soon realise how much you like >theres no love< when its skippy vocal is stuck in your head, hours after hearing it for the first time. >i can feel you< closes out the ep on a deeper note which will have you thinking of moments when the sun is about to rise, yet the night is far from over.

following on from releases for pomelo and pal sl, ld nero makes a welcome return to trelik, the label that unveiled the project back in 2011. detroit house flavours lace >als ik kan<, as a bleepy synth loudly sounds on the off beat over short stabby chords and shuffling drums. a summery, rhode uplifting house track awaits in >the feel< while a loose > i m burning< almost sounds like ld nero has each of the tracks elements placed on a separate turntable - making sure to keep them beat matched and aligned.